Yanuziello Electric Short Scale
Price: $--call or email for price
inquire - info@crguitars.com
call us -
hardshell case included
If you are a Byrdland lover looking for another way to express yourself this guitar might be just perfect for you.With a scale length of 22 1/2" and a sleek nut width of 40 mm this guitar takes "easy to play" to a new dimension.. It is as addicting to play as it is inspiring to behold - just look at the incredible curly top cap and neck woods! As always, the workmanship on this "Yaz" is of the very highest level.
The Yanuziello Electric--that’s the name.
Joe makes one style of electric guitar, and this is it. And it is simply a fantastic electric guitar. Everyone who owns one adores it, and considers it a desert island guitar.
There are a number of reasons why. Joe is a master luthier, and makes absolutely fabulous acoustic guitars. He bases his electric on a hollow version of a "Stratotone," an early, very inexpensive guitar that had a very unique, earthy quality. Stratotones had their own sound - not Fender, not Gibson. Unique. But he just used that as a pattern. What he built was a master’s version of that design’s DNA--what it would be like if you made that guitar as good as it possibly could be.
Joe’s version of this guitar would be like giving Jimmy D’Aquisto a Kay Barney Kessel archtop, and saying, make me a master builder’s version of this: A glorious instrument that exceeds anything out there.
That’s what he’s done. The guitars are gloriously handcrafted. He uses the absolute finest materials available; flamed or curly maple, honduran mahogany, Brazilian rosewood fingerboards. He hand makes his tailpieces, bridges and pickup covers. You can see Joe’s mastery at work simply by looking at how the headstock melds into the beautiful medium C shaped neck. A work of art. Even the way he attaches the neck to the body is spectacularly machined and executed. No details, no matter how small, are overlooked.
CRAIG'S POVI always look forward to the arrival of a Yanuziello electric, and with this short scale offering it is even more exciting than usual due to its special attributes. Yanuziello's have a vibe all their own - efficient, friendly and masterfull. They never work against you, and this one takes that ethic even farther. With a scale length of 22 1/2" and a sleek nut width of 40 mm this guitar takes "easy to play" to a new dimension. It is as addicting to play as it is inspiring to behold - just look at the incredible curly top cap and neck woods! As always, the workmanship on this "Yaz" is of the very highest level.
The electric sound is big, transparent and wonderfully open, just loaded with character. If you are a Byrdland lover looking for another way to express yourself, well look no further because this guitar might be just perfect for you. The short scale of course facilitates intricate single-note patterns and unusual stretched chord voicings, yet doesn't leave you wanting for sustain.
There is something in this particular guitar's recipe that brings out the naturally organic quality of Joe's work. If you have been looking for a guitar with the "it" factor it might be well worth it to take this beauty for a ride.
If you'd like to find out more about this item, just call or e-mail me. It would be my pleasure to talk to you about it.
ABOUT YANUZIELLO INSTRUMENTS
It certainly doesn't take a genius to realize that guitar builder Joseph Yanuziello is the real deal. What's "the real deal" you say? When it comes to luthiers, it means someone who has built a meaningful full-time career over a long period of time, developed the craft/art/voodoo of instrument building to the highest level, carved out their own niche in an overcrowded sea of brand names, you know, the real deal! There is something about a Yanuziello that is both plain-and-simple and somehow luxurious at the same time. In fact, Yanuziello's background in design and wood/metal fabrication has served him well in producing what he would describe as "modern vintage instruments." His interest in many musical genres is reflected in the different electric and acoustic instruments he produces. "The challenge is to keep it fresh and new and a continuous learning experience...the players have a lot to do with this." - JY
| Body | western red alder, hollow |
| Top cap | premium curly maple |
| Neck | one piece premium curly maple w/ two way truss rod |
| Fingerboard | ebony, black with dark tan stripes |
| Fingerboard markers | gold lipped pearl diamonds at 3-5-7-9-12, double at 15-17-19-21 |
| Side marker | black dots at 3-5-7-9-12, double at 15-17-19-21 |
| Fingerboard radius | 12" |
| Peghead face | to match fingerboard |
| Scale length | 22-1/2" |
| Nut | polished bone, 40mm width |
| Binding | top of body, fingerboard, headstock 060" ivoroid nitrate |
| Purfling | line of tortoiseshell nitrate inside binding, top edge of body |
| Cavity cover | ivoroid plate |
| Tuners | Waverly, vintage style open back with ivoroid buttons |
| Pickups | two Fralin / Yanuziello single coils, Dearmond style and reverse wound |
| Pickup covers | Yanuziello custom hand made, chromed brass |
| Bridge | Yanuziello, ebony, capped with bone, thumbwheel height adjustable |
| Tailpiece | Yanuziello, chromed brass trapeze |
| Electronics | master volume, master tone, Switchcraft three-way toggle |
| Knobs | ebony |
| Finish, back and sides | vintage ivory lacquer |
| Finish, top cap and neck | light amber toner w/ lcquer clear coats, hand polished to a high gloss |
| Case | Ameritage / Yanuziello, hardshell, plush lined, form fit |























